![]() ![]() ![]() Drawing on wide-ranging references from music, literature, film, architecture and pop culture, the artist creates densely layered environments with the ability to transport viewers into alternative narrative, temporal and psychological dimensions.įor Alienarium 5, Gonzalez-Foerster has collaborated with writer and philosopher Paul B. ![]() Engaging with the exhibition as a medium, Gonzalez-Foerster’s spatial inventions and investigations probe the notion of display, as well as how an image or scene is experienced. Working experimentally, she has collaborated with Serpentine on numerous interdisciplinary projects. Gonzalez-Foerster is a leading artist of her generation. Conceived site-specifically for Serpentine, the exhibition will feature almost entirely new work that engages both the gallery’s internal and external space. Dominique Gonzalez-Foerster’s first major institutional solo show in the UK since TH.2058 at Tate Modern’s Turbine Hall in 2008, the exhibition is a culmination of her decades-long interest in science fiction and continued research into deep space and alien life. The files also note that the number of UFO reports doubled after the release of Steven Spielberg's film Close Encounters of the Third Kind in 1977.“This sprawling galactic installation is a mash-up of political, literary and pop culture sci-fi references with a diorama including everyone from Yayoi Kusama to Diana, Princess of Wales.” – The GuardianĪlienarium 5 is a speculative environment that invites us to imagine possible encounters with extraterrestrials. In 1982, customers of The Walnut Tree pub near Tunbridge Wells in south-west England reported seeing red and green flashing lights in the sky.īut when quizzed where exactly they had spotted the strange lights they pointed in the direction of the busy London Gatwick airport. "It certainly has no evidence that alien spacecraft have landed on this planet," the memo concluded. ![]() "The Ministry of Defence does not deny that there are strange things to see in the sky," but the note goes on to say that plausible explanations existed for the phenomenon, including space junk burning up in the atmosphere, unusual cloud formations and meteorological balloons. The eight files in the National Archives, covering the period from 1978 to 1987, were released under legislation governing freedom of information following a request from UFO researchers.īut enthusiasts hoping for evidence that aliens were attempting to land in Britain will be disappointed.Ī ministry memo from 1983 says: "The sole interest of the Ministry of Defence in UFO reports is to establish whether they reveal anything of defence interest (eg intruding aircraft). "Most of the UFO sightings here are probably misidentifications of aircraft lights and meteors, but some are more difficult to explain, and include UFOs seen by police officers and pilots, and cases where UFOs have been tracked on radar." Nick Pope, who was responsible for investigating the sightings at the ministry, said: "While there's no evidence of little green men in these files, they should be of immense interest to sceptics and believers. They show that the Ministry of Defence was less worried about the possibility of visitors from outer space than in checking that Unidentified Flying Objects were not in reality evidence of covert spying missions mounted by other countries. The British Government recorded reports of alien spacecraft flying over Liverpool and a UFO hovering over Waterloo Bridge in London, it was revealed in declassified files released overnight.įiles have been opened for the first time detailing hundreds of sightings of unexplained objects in the skies over Britain. ![]()
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